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Kanika Anand
Recent Curatorial Projects
Indian Ceramics Triennale | 2018, 2024, 2027
Contemporary Calgary | 2020 -
India Art Fair Art Walks | 2019
Patterns of a Tactile Score | Yasmin Jahan Nupur | 2018
Unearth. Time, Process, Matter | 2017
The Museum Within | Debasish Mukherjee | 2016
I see you see me | 2015
Noir | Chetnaa | 2016
Sublime Spaces | Chetnaa Verma | 2015
"I lie to them". Based on a true story | 2013
Art Basel, 2021
Exhibition Texts
Ocula, Hong Kong
Projects/ Processes, Serendipity Arts Festival, Goa
Art Radar Journal, Hong Kong
Art India (Issue II, 2016), Mumbai
Art India (Issue IV, 2014), Mumbai
Art Practical | Daily Serving, San Fransisco
Sunday Guardian, New Delhi
Others
Profile
Contact
Kanika Anand
Recent Curatorial Projects
Indian Ceramics Triennale | 2018, 2024, 2027
Contemporary Calgary | 2020 -
India Art Fair Art Walks | 2019
Patterns of a Tactile Score | Yasmin Jahan Nupur | 2018
Unearth. Time, Process, Matter | 2017
The Museum Within | Debasish Mukherjee | 2016
I see you see me | 2015
Noir | Chetnaa | 2016
Sublime Spaces | Chetnaa Verma | 2015
"I lie to them". Based on a true story | 2013
Art Basel, 2021
Exhibition Texts
Ocula, Hong Kong
Projects/ Processes, Serendipity Arts Festival, Goa
Art Radar Journal, Hong Kong
Art India (Issue II, 2016), Mumbai
Art India (Issue IV, 2014), Mumbai
Art Practical | Daily Serving, San Fransisco
Sunday Guardian, New Delhi
Others
Profile
Contact
Recent Curatorial Projects
Folder: Early Projects
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Indian Ceramics Triennale | 2018, 2024, 2027
Contemporary Calgary | 2020 -
India Art Fair Art Walks | 2019
Patterns of a Tactile Score | Yasmin Jahan Nupur | 2018
Unearth. Time, Process, Matter | 2017
The Museum Within | Debasish Mukherjee | 2016
I see you see me | 2015
Noir | Chetnaa | 2016
Sublime Spaces | Chetnaa Verma | 2015
"I lie to them". Based on a true story | 2013
Folder: Writing
Back
Art Basel, 2021
Exhibition Texts
Ocula, Hong Kong
Projects/ Processes, Serendipity Arts Festival, Goa
Art Radar Journal, Hong Kong
Art India (Issue II, 2016), Mumbai
Art India (Issue IV, 2014), Mumbai
Art Practical | Daily Serving, San Fransisco
Sunday Guardian, New Delhi
Others
Profile
Contact
Featured
September 7, 2015
French artist's assemblages capture the 21st century Delhi's experience
September 7, 2015
September 7, 2015
The making of the South Asian brand
June 14, 2015
The making of the South Asian brand
June 14, 2015
June 14, 2015
hard copy 4.jpg
May 17, 2015
What photographs reveal (and hide)
May 17, 2015
May 17, 2015
A dialogue between generations
May 9, 2015
A dialogue between generations
May 9, 2015
May 9, 2015
The beautiful (Im)permanence of clay
April 18, 2015
The beautiful (Im)permanence of clay
April 18, 2015
April 18, 2015
Firoz Mahmud's Ninki, UoPD (2008- present)
April 12, 2015
Authenticity in the age of technology
April 12, 2015
April 12, 2015
Sudarshan Shetty, I know nothing of the End, 2014, supported by Gallery Ske
February 7, 2015
A judicious mix of old and new
February 7, 2015
February 7, 2015
The intuitive art of Masooma Syed
January 17, 2015
The intuitive art of Masooma Syed
January 17, 2015
January 17, 2015
Atul Bhalla & the weight of water
December 13, 2014
Atul Bhalla & the weight of water
December 13, 2014
December 13, 2014
Balkrishna Doshi and the symphony of architecture
November 29, 2014
Balkrishna Doshi and the symphony of architecture
November 29, 2014
November 29, 2014
Ishan Tankha: Storing collective memory from conflict zones
November 22, 2014
Ishan Tankha: Storing collective memory from conflict zones
November 22, 2014
November 22, 2014
Nehru, Nobel and display criteria
November 8, 2014
Nehru, Nobel and display criteria
November 8, 2014
November 8, 2014
The short story art of Arpita Singh
October 18, 2014
The short story art of Arpita Singh
October 18, 2014
October 18, 2014
Moudled to perfection
October 11, 2014
Moudled to perfection
October 11, 2014
October 11, 2014
Beauty, Death and Games
October 4, 2014
Beauty, Death and Games
October 4, 2014
October 4, 2014
Wherever I lay my hat, is that what I call home?
September 27, 2014
Wherever I lay my hat, is that what I call home?
September 27, 2014
September 27, 2014
Princess Pea: Not completely Grimm
September 20, 2014
Princess Pea: Not completely Grimm
September 20, 2014
September 20, 2014
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September 6, 2014
Dayal captures life at the margins
September 6, 2014
September 6, 2014
Parul Gupta masters space and time
August 23, 2014
Parul Gupta masters space and time
August 23, 2014
August 23, 2014
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August 2, 2014
The Dreamcatcher's private collection
August 2, 2014
August 2, 2014
When art meets artificial intelligence
July 12, 2014
When art meets artificial intelligence
July 12, 2014
July 12, 2014
How to process a history of violence
July 5, 2014
How to process a history of violence
July 5, 2014
July 5, 2014
A chaotic cityscape kept in line
June 28, 2014
A chaotic cityscape kept in line
June 28, 2014
June 28, 2014
An 'open source' history through art
June 21, 2014
An 'open source' history through art
June 21, 2014
June 21, 2014
Knotted memories & stitched roles
June 7, 2014
Knotted memories & stitched roles
June 7, 2014
June 7, 2014
Confronting past trauma through art
May 17, 2014
Confronting past trauma through art
May 17, 2014
May 17, 2014