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Kanika Anand
Recent Curatorial Projects
Indian Ceramics Triennale | 2018, 2024, 2027
Contemporary Calgary | 2020 -
India Art Fair Art Walks | 2019
Patterns of a Tactile Score | Yasmin Jahan Nupur | 2018
Unearth. Time, Process, Matter | 2017
The Museum Within | Debasish Mukherjee | 2016
I see you see me | 2015
Noir | Chetnaa | 2016
Sublime Spaces | Chetnaa Verma | 2015
"I lie to them". Based on a true story | 2013
Art Basel, 2021
Exhibition Texts
Ocula, Hong Kong
Projects/ Processes, Serendipity Arts Festival, Goa
Art Radar Journal, Hong Kong
Art India (Issue II, 2016), Mumbai
Art India (Issue IV, 2014), Mumbai
Art Practical | Daily Serving, San Fransisco
Sunday Guardian, New Delhi
Others
Profile
Contact
Kanika Anand
Recent Curatorial Projects
Indian Ceramics Triennale | 2018, 2024, 2027
Contemporary Calgary | 2020 -
India Art Fair Art Walks | 2019
Patterns of a Tactile Score | Yasmin Jahan Nupur | 2018
Unearth. Time, Process, Matter | 2017
The Museum Within | Debasish Mukherjee | 2016
I see you see me | 2015
Noir | Chetnaa | 2016
Sublime Spaces | Chetnaa Verma | 2015
"I lie to them". Based on a true story | 2013
Art Basel, 2021
Exhibition Texts
Ocula, Hong Kong
Projects/ Processes, Serendipity Arts Festival, Goa
Art Radar Journal, Hong Kong
Art India (Issue II, 2016), Mumbai
Art India (Issue IV, 2014), Mumbai
Art Practical | Daily Serving, San Fransisco
Sunday Guardian, New Delhi
Others
Profile
Contact
Recent Curatorial Projects
Folder: Early Projects
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Indian Ceramics Triennale | 2018, 2024, 2027
Contemporary Calgary | 2020 -
India Art Fair Art Walks | 2019
Patterns of a Tactile Score | Yasmin Jahan Nupur | 2018
Unearth. Time, Process, Matter | 2017
The Museum Within | Debasish Mukherjee | 2016
I see you see me | 2015
Noir | Chetnaa | 2016
Sublime Spaces | Chetnaa Verma | 2015
"I lie to them". Based on a true story | 2013
Folder: Writing
Back
Art Basel, 2021
Exhibition Texts
Ocula, Hong Kong
Projects/ Processes, Serendipity Arts Festival, Goa
Art Radar Journal, Hong Kong
Art India (Issue II, 2016), Mumbai
Art India (Issue IV, 2014), Mumbai
Art Practical | Daily Serving, San Fransisco
Sunday Guardian, New Delhi
Others
Profile
Contact
Featured
September 7, 2015
French artist's assemblages capture the 21st century Delhi's experience
September 7, 2015
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September 7, 2015
The making of the South Asian brand
June 14, 2015
The making of the South Asian brand
June 14, 2015
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June 14, 2015
hard copy 4.jpg
May 17, 2015
What photographs reveal (and hide)
May 17, 2015
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May 17, 2015
A dialogue between generations
May 9, 2015
A dialogue between generations
May 9, 2015
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May 9, 2015
The beautiful (Im)permanence of clay
April 18, 2015
The beautiful (Im)permanence of clay
April 18, 2015
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April 18, 2015
Firoz Mahmud's Ninki, UoPD (2008- present)
April 12, 2015
Authenticity in the age of technology
April 12, 2015
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April 12, 2015
Sudarshan Shetty, I know nothing of the End, 2014, supported by Gallery Ske
February 7, 2015
A judicious mix of old and new
February 7, 2015
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February 7, 2015
The intuitive art of Masooma Syed
January 17, 2015
The intuitive art of Masooma Syed
January 17, 2015
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January 17, 2015
Atul Bhalla & the weight of water
December 13, 2014
Atul Bhalla & the weight of water
December 13, 2014
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December 13, 2014
Balkrishna Doshi and the symphony of architecture
November 29, 2014
Balkrishna Doshi and the symphony of architecture
November 29, 2014
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November 29, 2014
Ishan Tankha: Storing collective memory from conflict zones
November 22, 2014
Ishan Tankha: Storing collective memory from conflict zones
November 22, 2014
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November 22, 2014
Nehru, Nobel and display criteria
November 8, 2014
Nehru, Nobel and display criteria
November 8, 2014
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November 8, 2014
The short story art of Arpita Singh
October 18, 2014
The short story art of Arpita Singh
October 18, 2014
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October 18, 2014
Moudled to perfection
October 11, 2014
Moudled to perfection
October 11, 2014
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October 11, 2014
Beauty, Death and Games
October 4, 2014
Beauty, Death and Games
October 4, 2014
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October 4, 2014
Wherever I lay my hat, is that what I call home?
September 27, 2014
Wherever I lay my hat, is that what I call home?
September 27, 2014
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September 27, 2014
Princess Pea: Not completely Grimm
September 20, 2014
Princess Pea: Not completely Grimm
September 20, 2014
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September 20, 2014
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September 6, 2014
Dayal captures life at the margins
September 6, 2014
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September 6, 2014
Parul Gupta masters space and time
August 23, 2014
Parul Gupta masters space and time
August 23, 2014
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August 23, 2014
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August 2, 2014
The Dreamcatcher's private collection
August 2, 2014
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August 2, 2014
When art meets artificial intelligence
July 12, 2014
When art meets artificial intelligence
July 12, 2014
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July 12, 2014
How to process a history of violence
July 5, 2014
How to process a history of violence
July 5, 2014
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July 5, 2014
A chaotic cityscape kept in line
June 28, 2014
A chaotic cityscape kept in line
June 28, 2014
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June 28, 2014
An 'open source' history through art
June 21, 2014
An 'open source' history through art
June 21, 2014
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June 21, 2014
Knotted memories & stitched roles
June 7, 2014
Knotted memories & stitched roles
June 7, 2014
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June 7, 2014
Confronting past trauma through art
May 17, 2014
Confronting past trauma through art
May 17, 2014
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May 17, 2014